I’m Anissa Roberson, a production designer for film and television and a fashion stylist. I shape sets, graphics, spaces and on-camera looks so the world feels lived in.
Production designEditorial stylingCostume and theaterAtlanta · Anywhere the work goes
01 / Film & television
The worlds on screen.
On-set photographs show production design work. Posters farther down identify additional projects, with my role listed beneath each title.
PRODUCTION DESIGN / TELEVISION / 2026 / 6 EPISODES
Black Coffee
I was the production designer on six episodes of Black Coffee. The series is still in post-production, so I’m sharing a few photos from set—the rooms we dressed, the color we brought in, and the little details that made each space feel like someone lives there.
Here’s a closer look at the details, the lounge, and a kitchen scene. These were taken while we were shooting, so you’ll see the set as it really looked that day.
SET DRESSING / DETAILLOUNGE / ON SETKITCHEN / ON SET
Production Designer · 4 episodes · In post-production. Cleared photos from the set during filming; crew and lighting equipment are visible in some frames.
DINING ROOM / ON SETCOLOR-LIT INTERIOR / ON SETTABLE DETAIL / ON SETOFFICE / ON SET
Visual studies and graphics for production concepts. These show design ideas, not photographs of finished sets.
BLACK COFFEE Production Designer · 2026 · 6 episodes / Café conceptCANCEL ME LATER Set developmentBLACK COFFEE Graphics development
ADDITIONAL SCREEN WORK90 Day Lease — Production DesignerUndetectable Love — Production DesignerUnwine — Visual developmentI Got a Story to Tell S1.5 — Production DesignerKeep — Wardrobe Supervisor · 2024Dwellers: The Curse of Pastor Stokes — Costume Designer / Wardrobe · 2019The Lake on Clinton Road — Wardrobe · 2015
02 / Styling
Fashion with a point of view.
I style fashion and products for editorial shoots and e-commerce. Here are a few looks and details I’ve worked on, followed by some of the brands and artists I’ve styled.
Saks Fifth Avenue / HBC I styled luxury e-commerce and editorial shoots for Saks, Lord & Taylor, and Gilt. I prepped models, worked closely with photographers, and kept assistant stylists’ sets moving.
Nordstrom Photo Studio As a senior stylist in the photo studio, I planned daily shots, lined up models, and worked with junior stylists to make each collection feel consistent.
TOM JAMES / EDITORIAL STYLING
Tailored with edge.
Strong silhouettes, sharp fit and clothes that hold the frame.
TOM JAMES / EDITORIAL STYLING
Ease, with intent.
Soft tailoring, texture and a little room to move.
EDITORIAL & FASHION
The clothes. The attitude.
Selected looks styled for Tom James and studio assignments.
TOM JAMES / STYLINGTOM JAMES / STYLINGTOM JAMES / STYLINGTOM JAMES / STYLINGFASHION / STUDIO STYLINGTOM JAMES / STYLING
COMMERCE / PRODUCT & HOME STYLING
Details sell the frame.
Selected product and home styling from my portfolio.
Selected clients
Fashion clients & brands.
Selected names from my earlier styling résumés, including studio and retail assignments.
Designers / labels
Alice + Olivia
CELINE
Chanel
Saint Laurent
Gucci
Moschino
Thom Browne
Public School
Nicole Miller
Rachel Roy
Ganni
Opening Ceremony
Fendi
Isaac Mizrahi
Lisa Rinna
Dennis Basso
Lori Goldstein
BCBG Max Azria
Juicy Couture
Free People
Akris
Bob Mackie
H&M
Forever 21
Retail / studio / beauty
Saks Fifth Avenue
Nordstrom
Gilt
QVC
Hudson’s Bay
Lord & Taylor
Tom James
Neiman Marcus
Cole Haan
ALDO
M·A·C Cosmetics
Artist work
Music & artists.
Selected names from my styling résumé.
Marsha Ambrosius
Janet Jackson
Nelly
Chingy
Murphy Lee
India.Arie
03 / Theater
A little stage magic.
Costume design and coordination credits for Civic Theatre of Allentown. The images below are portfolio cover art for those productions.
A Christmas Carol
Costume Designer · 2023 & 2024
Holiday Vixen
Costume Designer · 2024
5 Lesbians Eating a Quiche
Costume Designer · 2024
The Little Mermaid
Costume Coordinator · 2023
04 / About Anissa
I build the world around the story.
I’m Anissa Roberson, a production designer and stylist working across film, television, editorial, and live performance. I start with the script and the person inside it: what would they keep, what would they hide, and what would their space say before they do?
That thinking comes from two sides of my career. In fashion studios, I learned to make a look read in one frame. In production design, I carry that eye across a whole world: palette, set dressing, graphics, texture, and the pieces you only notice when they’re missing.
For behind-the-scenes work, see my Instagram highlights ↗. My IMDb profile ↗ lists my screen credits. I’m based in Atlanta and work wherever the project takes me.
PRODUCTION DESIGN / STYLING / COSTUME
